Author Archives: barnaby.priest@gmail.com
A Folding Screen
A Folding Screen is a collection of songs for Soprano, Clarinet and Pianoforte based on ancient Chinese poems. The structure of the piece is such that each performer has a solo, a duo with each of the others and three pieces for the whole ensemble. There are nine movements:
1. A Morning Time (Soprano, Clarinet, Pianoforte) – Liu K’o Chuang
2. Night Thoughts (Soprano, Pianoforte) – Li Bai
3. Kuan Ch’u (Clarinet)
4. Folding Screen I (Pianoforte)
5. Winter Nights (Soprano, Clarinet, Pianoforte) – Chien Wen-Ti
6. A Flower (Soprano) – Po Chu I
7. Folding Screen II (Clarinet, Pianoforte)
8. Dank Mist, Desolation (Soprano, Clarinet)
9. In the Empty Mountains (Soprano, Clarinet, Pianoforte)
In the performance recorded here, the soprano is Joanne Brown, the clarinettist, Andrea Gould, and the pianist, Naila Maharramova. It was recorded live at The Fridge, Al Quoz, Dubai 17/03/2014
So ito a Sperana
So ito a Sperana was written as a memorial to my father-in-law who passed away in 2002 after a long illness. Asperano (in dialect “Sperana” is the area where he had an olive grove that he owned. After his retirement, he would visit and tend his land daily for as long as he had his sight.
Structured in three slow sections the music is slow and contemplative. The opening section quotes a passage from a piano piece Bela Bartok, while central section uses a traditional song from the Monti Lepini, “Tira vento”.
Larger Ensembles
Durham Passages – Any Mixed Ensemble
Chanson – Mixed Ensemble (minimum nine players)
Piesn – Large Mixed Ensemble
…and a ray of light came and went… – Large ensemble of flutes, or clarinets
Photos
Response
Written in conjunction with the choreographer Vivian Rojas Response uses two pieces Above the Canopy (from my CD Rainforest) and Six-Four-Two, written for this performance.
In this recording, the dancers are Vivian Rojas and Anne Cabanel, the Violinists, Emma Stansfield and Rachel Barton.
The recording was made at The Fridge, Dubai, November 2010
Of the dance, Vivian writes: Response is a contemporary dance piece that works with words such as giving, receiving, suggesting and reacting. When sharing that experience, the relationship between two dancing bodies inspired by two energetic violins, gives as a result a symphonic variety of possibilities on the stage.
Orchestral
Response (2014)
Click here to listen
String Orchestra
Out of the Machine
2222, 4221, 2 perc, pfte, strings
So ito a Sperana (2003)
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3132, , 2000, 1 perc, strings
Small Ensemble
String Quartet No. 3
String Quartet
The Infusion of Impossible Things
Flute, violin, viola, pianoforte
Worldes Blis (String Quartet No. 2)
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String Quartet
Canzona (Vidimus Stellam)
String Quintet
2 Violins, Viola, 2 Violoncellos
Canzona (Vidimus Stellam)
Brass Quartet
On Time
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String Quartet
Quartet for Saxophones
Saxophone Quartet
Overflow
Clarinet, 2 Harps, Pianoforte, 2 Violins, 2 Violas, Violoncello
Vocal Music
I Might Have Die (1991)
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Voice (Soprano or Counter-tenor), Flute, 2 clarinets, Pianoforte, 2 Violins, 2 Violas, Violoncello
A Song Album
Solo Voice (male or female)
A Folding Screen
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Voice, Clarinet, Pianoforte
On Time
SATB (Small Choir)
Nova! Nova!
SSAATTBB
Vidimus Stellam
SATB
Beatus Vir
Tenor soloist, SATB + orchestra

’tis like the distance
Written for violoncello and pianoforte, ‘tis like the distance employs a very limited diatonic palette to explore a rich emotional field.
Recorded by Aaron DH Kim (violoncello) and Mariola Sokolowska (pianoforte) at The Fridge, Dubai, 15 Feb 2010.
Score and parts are available directly from the composer: barnaby.priest@gmail.com